May 4, 2012
Some examples from the Yashica D camera I wrote about a few days ago. Not long ago I wrote up a quick review of the Yashica D - a beautiful older TLR camera that I recently picked up. You can see the article here:  http://aepearson.tumblr.com/post/20911480601/yashica-d-tlr-review-the-best-budget-medium One thing I did not include was some example photos from the camera! So, without further delay… The first image was from a recent engagement portrait session here in Greensboro. I shot the session on 35mm film, but took along the Yashica loaded with some Tri-X. I’m starting to do this more lately, I’ll take along an extra camera and shoot my own personal photos. Shots that I don’t intend on giving the client, where I just do whatever I feel like - no pressure. I’m starting to find that these images are often some of my favorites. This is my partner, Jenny. Shot on some REALLY expired Ektachrome slide film. I asked the lab to “cross-process” the slide film, the results were pretty cool! Blown out highlights and super-saturation in the color. And this is Miles, my son. Again here with the Tri-X, out on the front porch. As you can see, this camera produces some pretty unique results. Mostly because of the older lens. You can really notice what sets it apart if you take a look at the first image…notice the background? See how it swirls? This is a pretty unique trait found in older lenses. I like it! © Andrew Pearson 2005-2012 www.aepearson.com www.facebook.com/aepearsonphoto  


Some examples from the Yashica D camera I wrote about a few days ago.

Not long ago I wrote up a quick review of the Yashica D - a beautiful older TLR camera that I recently picked up. You can see the article here: 

http://aepearson.tumblr.com/post/20911480601/yashica-d-tlr-review-the-best-budget-medium

One thing I did not include was some example photos from the camera! So, without further delay…

The first image was from a recent engagement portrait session here in Greensboro. I shot the session on 35mm film, but took along the Yashica loaded with some Tri-X. I’m starting to do this more lately, I’ll take along an extra camera and shoot my own personal photos. Shots that I don’t intend on giving the client, where I just do whatever I feel like - no pressure. I’m starting to find that these images are often some of my favorites.

This is my partner, Jenny. Shot on some REALLY expired Ektachrome slide film. I asked the lab to “cross-process” the slide film, the results were pretty cool! Blown out highlights and super-saturation in the color.


And this is Miles, my son. Again here with the Tri-X, out on the front porch.

As you can see, this camera produces some pretty unique results. Mostly because of the older lens. You can really notice what sets it apart if you take a look at the first image…notice the background? See how it swirls? This is a pretty unique trait found in older lenses. I like it!


© Andrew Pearson 2005-2012

www.aepearson.com

www.facebook.com/aepearsonphoto  

12:55pm  |   URL: http://tmblr.co/ZJce4yKsSRi4
(Notes: 3)
  
May 2, 2012
Mamiya 80mm f/1.9 VERSUS Mamiya 80mm f/2.8 : The Official Mamiya 80mm Lens Test/Comparison! The Mamiya 645 system is probably one of the most popular medium format camera systems out there. The Mamiya 645 camera has been around for quite some time, in a number of different variations. There is the original Mamiya 645, the 645 1000s, the 645J, Super, Pro, Pro TL…and now the newer autofocus 645AF and 645AFD.  Not only are they common, but quite affordable. You can easily buy an older Mamiya 645 with a 80mm lens for $200 or so. It’s a great way to get into medium format photography! Besides the cameras themselves, the Mamiya lenses are also quite nice. They are affordable, sharp, well built, and available in a wide range of focal lengths…all the way from super wide to telephoto. So, lets talk about the “normal” lens for these cameras. A “normal” lens is typically 50mm for a 35mm camera, with a 645 medium format camera it works out to be about 80mm. This is the focal length that most accurately reflects the human eye’s angle of view (yes, we can see really wide…but subtract what is in your peripheral vision and you’ll end up with a “normal” angle of view). There are a number of variations of the 80mm lens available for the Mamiya 645 system, I’m going to focus on the two that I think are most common - and most relevant: Mamiya-Sekor C 80mm f/2.8 Mamiya-Sekor C 80mm f/1.9 The 80/2.8 can be had cheap and comes standard on a lot of Mamiya 645 cameras. It’s compact, light, and very well built. The particular lens I used for the test was one I found on eBay for about $20 used. Wait till you see what a $20 lens can get you… The 80/1.9 is a VERY unique lens. This is the fastest medium format lens commonly available. I hesitate to call it the “fastest medium format lens” because I’m sure there are some uber-rare lenses out there that may beat it by a very tiny margin. The lens I used for the test is the “C” version, which from what I understand is an older model with non-fancy lens coatings…oh, and there was a pretty significant amount of mold growing on the inside. I paid about $200 for this lens, you’ll probably end up spending more but will certainly have one in better condition. This lens has quite a bit more heft than the 80/2.8 and the focus ring seems to be a bit more smooth. Of course that could have everything to do with the fact that both are used lenses (the focus ring stiffness). Honestly though, a little mold never hurt anybody. You’d be really surprised how nasty lenses can get - mold, dust, scratches - and still provide excellent results.  So, lets get to the test! Important info: All test images were shot with a Mamiya 645 Super, light reading from a handheld meter, on Tri-X 400 film processed in Diafine. Exposures were: f/1.9 @ 1/1000th, f/2.8 @ 1/500th, f/4 @ 1/250th, f/5.6 @ 1/125th, f/8 @ 1/60th, f/11 @ 1/30th. **DISCLAIMER** This is obviously not a scientific test, I’m a camera nerd (bigtime) but I strongly believe in “real world” testing over “sitting at home with lens charts” testing. MTF charts don’t mean jack to me really (see, I know nerdy terms).  The scans you see here are rough scans, no adjustments at all. They are not spotted, there are some drying streaks, the camera was not on a tripod, etc etc… Also, I did not do a test at f/16 because I never shoot portraits at f/16. I conducted this test relevant to my own needs. Since the 80/2.8 doesn’t open up to f/1.9, here is an example of the 80/1.9 shot “wide open”. Look at the bokeh. Man, this is probably the single biggest reason I like the 80/1.9 over the 80/2.8. Not only do you get that extra stop, but the bokeh is beautiful. I’d almost call it “painterly”. And, as you can tell, it’s no slouch in sharpness wide open as well. You can see some vignetting around the corners, but who cares - it looks great. Vignetting without Photoshop, who’da thunk it. And now at f/2.8. Side by side you can tell here that the 80/1.9 is has slightly less contrast than the 80/2.8. You can also see that although the bokeh did tighten up a bit with the 80/1.9 it’s still quite soft and fluffy - not as “sharp” as the 80/2.8.  But, let’s think about this for a second - would I be happy with the 80/2.8? Heck yeah. Sharp where it counts, pleasing bokeh, even when shot wide open. Did I mention I paid $20 for it? Really like both of these lenses at f/4. This is a more manageable aperture for daylight portraits. There is enough depth of field, sharp where it counts. Keep in mind, with most of the Mamiya cameras (and medium format cameras in general) you are limited to a top shutter speed of 1/500th-1/1000th of a second. Shooting at wide apertures sometimes just isn’t an option during the day… unless you : shoot slower film, pull your film, use a ND filter. The 80/1.9 seems to be picking up some contrast right around f/5.6. And, take a look at the bokeh again - I actually prefer the 80/2.8 in this comparison. Almost the same shot by f/8 -f/11 huh?And…of course, I had to show you a cropped detail. It’s hard to really judge the photos without seeing a smaller portion, where softness/sharpness becomes more obvious. These are all about the same crop on her left (our right) eye. Keep in mind, it’s not perfect. I’m sure I could have done a better job scanning, and I think I see some motion blur in there (although it does look like f/8 wasn’t all that great on either lens…maybe it’s not motion blur). Remember, I did not use a tripod (mostly out of convenience, but also because I never use a tripod for portraits anyway). So, there you have it! There is no real “conclusion” here, mostly because I didn’t go at this thinking “which lens is better”, I really just wanted to show what they could do. You can see pretty clearly that the 80/2.8 is a real bargain no matter how you look at it - and there are even newer versions that are reportedly even nicer with very little cost difference. No, it’s not a Hasselblad 80mm, but it’s certainly no slouch either. The 80/1.9 is a no-brainer if you have the cash for it. If you are just getting started with medium format, or considering buying a Mamiya - I would recommend you start with the 80/2.8 and then upgrade to the 80/1.9 down the road (unless budget is not an issue). Is it worth the $250-400? YES! The 80/1.9 is, to me, a killer portrait and available light lens. It’s fast as hell for a medium format lens, and performs very well. Yes, it’s a little lower contrast and slightly soft wide open, but who cares. This lens is awesome. I hope this was useful for everyone - please feel free to comment/ask if you have any questions or anything to share! Also, if you are looking for used gear - eBay can be great, but I HIGHLY recommend KEH.com. They have an incredible inventory, outstanding prices, and the best customer service. I don’t get paid to say that - I mean it. © Andrew Pearson 2005-2012 www.aepearson.com www.facebook.com/aepearsonphoto  


Mamiya 80mm f/1.9 VERSUS Mamiya 80mm f/2.8 : The Official Mamiya 80mm Lens Test/Comparison!


The Mamiya 645 system is probably one of the most popular medium format camera systems out there. The Mamiya 645 camera has been around for quite some time, in a number of different variations. There is the original Mamiya 645, the 645 1000s, the 645J, Super, Pro, Pro TL…and now the newer autofocus 645AF and 645AFD. 

Not only are they common, but quite affordable. You can easily buy an older Mamiya 645 with a 80mm lens for $200 or so. It’s a great way to get into medium format photography!

Besides the cameras themselves, the Mamiya lenses are also quite nice. They are affordable, sharp, well built, and available in a wide range of focal lengths…all the way from super wide to telephoto.

So, lets talk about the “normal” lens for these cameras. A “normal” lens is typically 50mm for a 35mm camera, with a 645 medium format camera it works out to be about 80mm. This is the focal length that most accurately reflects the human eye’s angle of view (yes, we can see really wide…but subtract what is in your peripheral vision and you’ll end up with a “normal” angle of view).

There are a number of variations of the 80mm lens available for the Mamiya 645 system, I’m going to focus on the two that I think are most common - and most relevant:

Mamiya-Sekor C 80mm f/2.8

Mamiya-Sekor C 80mm f/1.9

The 80/2.8 can be had cheap and comes standard on a lot of Mamiya 645 cameras. It’s compact, light, and very well built. The particular lens I used for the test was one I found on eBay for about $20 used. Wait till you see what a $20 lens can get you…

The 80/1.9 is a VERY unique lens. This is the fastest medium format lens commonly available. I hesitate to call it the “fastest medium format lens” because I’m sure there are some uber-rare lenses out there that may beat it by a very tiny margin. The lens I used for the test is the “C” version, which from what I understand is an older model with non-fancy lens coatings…oh, and there was a pretty significant amount of mold growing on the inside. I paid about $200 for this lens, you’ll probably end up spending more but will certainly have one in better condition. This lens has quite a bit more heft than the 80/2.8 and the focus ring seems to be a bit more smooth. Of course that could have everything to do with the fact that both are used lenses (the focus ring stiffness).

Honestly though, a little mold never hurt anybody.

You’d be really surprised how nasty lenses can get - mold, dust, scratches - and still provide excellent results. 

So, lets get to the test!

Important info: All test images were shot with a Mamiya 645 Super, light reading from a handheld meter, on Tri-X 400 film processed in Diafine. Exposures were: f/1.9 @ 1/1000th, f/2.8 @ 1/500th, f/4 @ 1/250th, f/5.6 @ 1/125th, f/8 @ 1/60th, f/11 @ 1/30th.

**DISCLAIMER**

This is obviously not a scientific test, I’m a camera nerd (bigtime) but I strongly believe in “real world” testing over “sitting at home with lens charts” testing. MTF charts don’t mean jack to me really (see, I know nerdy terms).  The scans you see here are rough scans, no adjustments at all. They are not spotted, there are some drying streaks, the camera was not on a tripod, etc etc… Also, I did not do a test at f/16 because I never shoot portraits at f/16. I conducted this test relevant to my own needs.


Since the 80/2.8 doesn’t open up to f/1.9, here is an example of the 80/1.9 shot “wide open”. Look at the bokeh. Man, this is probably the single biggest reason I like the 80/1.9 over the 80/2.8. Not only do you get that extra stop, but the bokeh is beautiful. I’d almost call it “painterly”. And, as you can tell, it’s no slouch in sharpness wide open as well. You can see some vignetting around the corners, but who cares - it looks great. Vignetting without Photoshop, who’da thunk it.


And now at f/2.8. Side by side you can tell here that the 80/1.9 is has slightly less contrast than the 80/2.8. You can also see that although the bokeh did tighten up a bit with the 80/1.9 it’s still quite soft and fluffy - not as “sharp” as the 80/2.8. 

But, let’s think about this for a second - would I be happy with the 80/2.8? Heck yeah. Sharp where it counts, pleasing bokeh, even when shot wide open. Did I mention I paid $20 for it?


Really like both of these lenses at f/4. This is a more manageable aperture for daylight portraits. There is enough depth of field, sharp where it counts. Keep in mind, with most of the Mamiya cameras (and medium format cameras in general) you are limited to a top shutter speed of 1/500th-1/1000th of a second. Shooting at wide apertures sometimes just isn’t an option during the day… unless you : shoot slower film, pull your film, use a ND filter.

The 80/1.9 seems to be picking up some contrast right around f/5.6. And, take a look at the bokeh again - I actually prefer the 80/2.8 in this comparison.


Almost the same shot by f/8 -f/11 huh?




And…of course, I had to show you a cropped detail. It’s hard to really judge the photos without seeing a smaller portion, where softness/sharpness becomes more obvious.

These are all about the same crop on her left (our right) eye. Keep in mind, it’s not perfect. I’m sure I could have done a better job scanning, and I think I see some motion blur in there (although it does look like f/8 wasn’t all that great on either lens…maybe it’s not motion blur). Remember, I did not use a tripod (mostly out of convenience, but also because I never use a tripod for portraits anyway).


So, there you have it! There is no real “conclusion” here, mostly because I didn’t go at this thinking “which lens is better”, I really just wanted to show what they could do. You can see pretty clearly that the 80/2.8 is a real bargain no matter how you look at it - and there are even newer versions that are reportedly even nicer with very little cost difference. No, it’s not a Hasselblad 80mm, but it’s certainly no slouch either.

The 80/1.9 is a no-brainer if you have the cash for it. If you are just getting started with medium format, or considering buying a Mamiya - I would recommend you start with the 80/2.8 and then upgrade to the 80/1.9 down the road (unless budget is not an issue). Is it worth the $250-400? YES! The 80/1.9 is, to me, a killer portrait and available light lens. It’s fast as hell for a medium format lens, and performs very well. Yes, it’s a little lower contrast and slightly soft wide open, but who cares. This lens is awesome.

I hope this was useful for everyone - please feel free to comment/ask if you have any questions or anything to share!

Also, if you are looking for used gear - eBay can be great, but I HIGHLY recommend KEH.com. They have an incredible inventory, outstanding prices, and the best customer service. I don’t get paid to say that - I mean it.

© Andrew Pearson 2005-2012

www.aepearson.com

www.facebook.com/aepearsonphoto  

11:08am  |   URL: http://tmblr.co/ZJce4yKkdeBM
(Notes: 2)
  
April 16, 2012
Greensboro Newborn Photography Session - More (color) photos of baby Iris!  Here are my picks from Iris’ recent photo session. I recently posted up a personal favorite HERE, but now I want to show you a few that I think also really stand out.  The photos were taken at the same location. I met Iris and her Mom at their house here in Greensboro, NC - with portraits of little ones like Iris it’s really important that you choose a location that is comfortable. What better place than home! The light inside the house was just right, and Iris was in a great mood - I hope you enjoy!

Greensboro Newborn Photography Session - More (color) photos of baby Iris! 

Here are my picks from Iris’ recent photo session. I recently posted up a personal favorite HERE, but now I want to show you a few that I think also really stand out. 

The photos were taken at the same location. I met Iris and her Mom at their house here in Greensboro, NC - with portraits of little ones like Iris it’s really important that you choose a location that is comfortable. What better place than home!

The light inside the house was just right, and Iris was in a great mood - I hope you enjoy!

Greensboro Newborn and Baby Photographers - A.E.Pearson Photography


Greensboro Family Portrait Photographers - A.E.Pearson Photography


Greensboro Portrait and Wedding Photographers - A.E.Pearson Photography

3:28pm  |   URL: http://tmblr.co/ZJce4yJmwRAM
(Notes: 3)
  
Filed under: color film film photography newborn portraits portrait natural light portraits 
April 11, 2012
Yashica D TLR Review - The BEST Budget Medium Format Camera Ever Made! As with many photographers, I myself am a bit of a HUGE photography equipment nerd. It’s hard not to be honestly. There are so many incredibly cool cameras, think about some of the factors that contribute to the diversity for a second: 150 years or so of research and development Varying film formats (a variety of small, medium, and large formats) Consumer taste Manufacturing and materials trends and developments Competition! Being a photographer, I have the fortunate disposition of being in a field where the tools of my trade are often bona-fide antiques. For a guy that spends weekends wandering through thrift shops and antique stores, it’s a blessing. I mean, not only are some of the older cameras I’ve owned absolutely gorgeous pieces of mechanical beauty - but they TAKE FREAKIN’ PICTURES. Yes, that’s right, even my 100 year old folder camera my aunt gave me takes pictures. After all this time - they are still relevant tools of the trade.  Ah. Mazing. With all that said, I have owned/use a LARGE variety of cameras. Whether it be 16mm, 35mm, Medium Format, or Large Format - I’m on a perpetual search for the “perfect camera”.  The *right* camera isn’t always affordable - but then comes the Yashica D. This camera is, in my opinion, one of the best all-around medium format cameras on the market. It’s not a Hasselblad, or a Rollei…but it’s also something you can find ALL DAY LONG for well under $100. This one, in the incredible condition it’s in, set me back $81. If you are reading this you probably are aware of the current used prices these days of quality medium format cameras, and you are probably picking your jaw up off the ground right now too ($81?!?!).Why do I love it, and why should you go buy one RIGHT NOW?  The fit is near perfect. The layout of the winding knob, focus knob, shutter speed and aperture dials, shutter cocking lever, and shutter release button are all in just the right spot to be used without confusion and, after getting used to it, without even looking. This, to me, is HUGELY important. Sharp optics. Apparently there are two different versions of the 80mm f/3.5 lens that comes with this camera. Yashikor and Yashinon (I think?). If you care about the “expert” reviews on the internet about these two lenses, you’d probably be convinced that the Yashikor is worthless and not sharp. And, you would be wrong. If I can say one thing about reading camera reviews online it’s that they are mostly based on rumor and not actual experience. Take everything you read with a grain of salt. The “feel”. This camera just feels right. When you are holding it, its hard to ignore the voice in your head that tells you to grab a handful of film and get to shooting. Seriously. Ease of use. There is no bulky and unreliable meter built into this camera. All you need is a handheld meter or the good ol’ Sunny 16 rule. This camera is just plain simple. Everything about it just WORKS. Design. It’s beautiful, isn’t it? And, man, this thing is SOLID. Compared to the Yashica Mat 124G (of which I’ve owned a few), even though it’s essentially the same camera, it just feels much more solid and well thought out. Also, the lens is fixed and not interchangeable - to some this is a negative attribute, to me, this is more of a reason to buy one. Keep it simple.  The price. Under $100 for a killer medium format camera. Yes. Please. So kids, if you are in love with medium format - or just getting started - I HIGHLY recommend this camera for you. You will not be disappointed.If you are looking for more technical resources regarding this camera, please take a moment to check these links out: http://camerapedia.wikia.com/wiki/Yashica-D http://mattdentonphoto.com/cameras/yashica_d.html http://www.butkus.org/chinon/yashica/yashica_d/yashica_d.htm

Yashica D TLR Review - The BEST Budget Medium Format Camera Ever Made!

As with many photographers, I myself am a bit of a HUGE photography equipment nerd. It’s hard not to be honestly. There are so many incredibly cool cameras, think about some of the factors that contribute to the diversity for a second:

  • 150 years or so of research and development
  • Varying film formats (a variety of small, medium, and large formats)
  • Consumer taste
  • Manufacturing and materials trends and developments
  • Competition!
Being a photographer, I have the fortunate disposition of being in a field where the tools of my trade are often bona-fide antiques. For a guy that spends weekends wandering through thrift shops and antique stores, it’s a blessing. I mean, not only are some of the older cameras I’ve owned absolutely gorgeous pieces of mechanical beauty - but they TAKE FREAKIN’ PICTURES. Yes, that’s right, even my 100 year old folder camera my aunt gave me takes pictures. After all this time - they are still relevant tools of the trade.
 
Ah. Mazing.

With all that said, I have owned/use a LARGE variety of cameras. Whether it be 16mm, 35mm, Medium Format, or Large Format - I’m on a perpetual search for the “perfect camera”.
 
The *right* camera isn’t always affordable - but then comes the Yashica D. This camera is, in my opinion, one of the best all-around medium format cameras on the market. It’s not a Hasselblad, or a Rollei…but it’s also something you can find ALL DAY LONG for well under $100. This one, in the incredible condition it’s in, set me back $81. If you are reading this you probably are aware of the current used prices these days of quality medium format cameras, and you are probably picking your jaw up off the ground right now too ($81?!?!).

Why do I love it, and why should you go buy one RIGHT NOW? 
  • The fit is near perfect. The layout of the winding knob, focus knob, shutter speed and aperture dials, shutter cocking lever, and shutter release button are all in just the right spot to be used without confusion and, after getting used to it, without even looking. This, to me, is HUGELY important.
  • Sharp optics. Apparently there are two different versions of the 80mm f/3.5 lens that comes with this camera. Yashikor and Yashinon (I think?). If you care about the “expert” reviews on the internet about these two lenses, you’d probably be convinced that the Yashikor is worthless and not sharp. And, you would be wrong. If I can say one thing about reading camera reviews online it’s that they are mostly based on rumor and not actual experience. Take everything you read with a grain of salt.
  • The “feel”. This camera just feels right. When you are holding it, its hard to ignore the voice in your head that tells you to grab a handful of film and get to shooting. Seriously.
  • Ease of use. There is no bulky and unreliable meter built into this camera. All you need is a handheld meter or the good ol’ Sunny 16 rule. This camera is just plain simple. Everything about it just WORKS.
  • Design. It’s beautiful, isn’t it? And, man, this thing is SOLID. Compared to the Yashica Mat 124G (of which I’ve owned a few), even though it’s essentially the same camera, it just feels much more solid and well thought out. Also, the lens is fixed and not interchangeable - to some this is a negative attribute, to me, this is more of a reason to buy one. Keep it simple. 
  • The price. Under $100 for a killer medium format camera. Yes. Please.
So kids, if you are in love with medium format - or just getting started - I HIGHLY recommend this camera for you. You will not be disappointed.

If you are looking for more technical resources regarding this camera, please take a moment to check these links out: 

http://camerapedia.wikia.com/wiki/Yashica-D


1:52pm  |   URL: http://tmblr.co/ZJce4yJUQzyP
(Notes: 10)
  
Filed under: Yashica D review film photography TLR medium format 
March 27, 2012
The F5 and Leica should be back from getting fixed tomorrow!

…and I couldn’t be more excited!

7:30pm  |   URL: http://tmblr.co/ZJce4yIg0gmY
(Notes: 5)
  
March 22, 2012
Everyone, meet Iris! This is a personal favorite from my latest newborn session. Not typical of what you might see from a newborn portrait session (don’t worry, those are coming), but it stands out to me as more typical the kind of photo I shoot when I’m doing personal work. I met Iris and her mother at their home in Greensboro, NC. It was a cloudy morning, but the diffused light spilling from the windows really set the mood perfectly. Iris was in a great mood and opening her eyes a lot, she was very curious about my camera I think. During my time with these ladies I shot a couple rolls of film, mostly portraits of course - but this shot was more of something that just happened at the right time. Iris’ expression, waiting on the changing table for mom - and mom, walking right into the frame to tend to Iris…something about it really captures that moment for me. Moments like this, I feel, are the moments that you can look back on as a parent and genuinely treasure.  Meeting new babies is pretty awesome and being trusted to photograph them is an honor. I think the joy for photographing babies began for me when my son, Miles, was born. At the time I was in school working on my Photography degree and had access to pretty much anything darkroom-related you could imagine (man I miss those days!). I had fallen in love with my son, and fallen in love with film.  I took on a project for his first year of life, shooting one roll worth of photographs of him every day. The project itself was really a lot of fun, and a lot of hard work. I was surprised at how much I learned about shooting little people under mostly challenging lighting conditions. But more surprising was how much these photos came to mean to me. Having the first moments/days/weeks/months of your children’s lives on film is just invaluable. When you are home with your little one every day, changes can go un-noticed. One day just sort of gradually works it’s way into the next and, before you know it, your “baby” isn’t a baby anymore.  Shot with a Nikon F100 and 50mm f/1.4 lens on Fuji Neopan 400 film developed at TheDarkroom. © Andrew Pearson 2005-2012 www.aepearson.com www.facebook.com/aepearsonphoto  

Everyone, meet Iris!

This is a personal favorite from my latest newborn session. Not typical of what you might see from a newborn portrait session (don’t worry, those are coming), but it stands out to me as more typical the kind of photo I shoot when I’m doing personal work.

I met Iris and her mother at their home in Greensboro, NC. It was a cloudy morning, but the diffused light spilling from the windows really set the mood perfectly. Iris was in a great mood and opening her eyes a lot, she was very curious about my camera I think.

During my time with these ladies I shot a couple rolls of film, mostly portraits of course - but this shot was more of something that just happened at the right time. Iris’ expression, waiting on the changing table for mom - and mom, walking right into the frame to tend to Iris…something about it really captures that moment for me. Moments like this, I feel, are the moments that you can look back on as a parent and genuinely treasure. 

Meeting new babies is pretty awesome and being trusted to photograph them is an honor. I think the joy for photographing babies began for me when my son, Miles, was born. At the time I was in school working on my Photography degree and had access to pretty much anything darkroom-related you could imagine (man I miss those days!). I had fallen in love with my son, and fallen in love with film. 

I took on a project for his first year of life, shooting one roll worth of photographs of him every day.

The project itself was really a lot of fun, and a lot of hard work. I was surprised at how much I learned about shooting little people under mostly challenging lighting conditions. But more surprising was how much these photos came to mean to me.


Having the first moments/days/weeks/months of your children’s lives on film is just invaluable. When you are home with your little one every day, changes can go un-noticed. One day just sort of gradually works it’s way into the next and, before you know it, your “baby” isn’t a baby anymore. 

Shot with a Nikon F100 and 50mm f/1.4 lens on Fuji Neopan 400 film developed at TheDarkroom.

© Andrew Pearson 2005-2012

www.aepearson.com

www.facebook.com/aepearsonphoto  

10:42am  |   URL: http://tmblr.co/ZJce4yIO8OfC
(Notes: 4)
  
Filed under: greensboro newborn photographer nc newborn photographer aepearson.com drew pearson andrew pearson film photography fuji 400 nikon f100 Nikon 50mm 1.4 portrait 
March 19, 2012
Testing out the Voigtlander Bessa L camera and Voigtlander Snapshot-Skopar 25mm f4 lens at the park. Perfect street photography combo!

Testing out the Voigtlander Bessa L camera and Voigtlander Snapshot-Skopar 25mm f4 lens at the park. Perfect street photography combo!

11:32am  |   URL: http://tmblr.co/ZJce4yIEjlOy
(Notes: 3)
  
March 8, 2012
The first edition of Collodion Quarterly just arrived!

The first edition of Collodion Quarterly just arrived!

11:20am  |   URL: http://tmblr.co/ZJce4yHfa1n_
February 28, 2012
Candid shot of President Barack Obama on the 2008 campaign trail (Roanoke, VA).  Remember this guy? I took this photo back in 2008 in Roanoke, VA. President Obama (well…he wasn’t president quite yet) was making his way south and I was able to catch him in Roanoke, only a couple hours from my home in Greensboro, NC.  I really like this photo for a few reasons (in no particular order): - This was the first time I had ever entered an event as “PRESS”. A big deal for me at the time, especially considering I was getting  front row seating during a political rally for a man who became our first black president. I felt like I was taking part in history. Bumping shoulders with big name press photographers was also a highlight for me. - I have the negatives for this day. When it’s important (and even when it’s not, haha), I shoot film. In this case, a few rolls of expired Fuji 800 Press film. - I took a lot of photos this day, but this one stands out to me because of the relaxed and casual nature of it. When I look at this photo I see a real person, not a political celebrity…not the soon-to-be leader of the free world…a real person. Politicians are so serious (wait until you see the photos I took of Senator John McCain), moments like this are what helps people like me really relate to a candidate. Some may say that Obama won the election because he won the people. I look forward to sharing more of my 2008 campaign photos, with the upcoming presidential election excitement is building in the United States…I think it’s exciting to look back on 4 years ago! Shot with a Nikon F5 and 200mm f/2.8 lens on Fuji Press 800 film. © Andrew Pearson 2005-2012 www.aepearson.comwww.facebook.com/aepearsonphoto 

Candid shot of President Barack Obama on the 2008 campaign trail (Roanoke, VA). 

Remember this guy?

I took this photo back in 2008 in Roanoke, VA. President Obama (well…he wasn’t president quite yet) was making his way south and I was able to catch him in Roanoke, only a couple hours from my home in Greensboro, NC. 

I really like this photo for a few reasons (in no particular order):

- This was the first time I had ever entered an event as “PRESS”. A big deal for me at the time, especially considering I was getting  front row seating during a political rally for a man who became our first black president. I felt like I was taking part in history. Bumping shoulders with big name press photographers was also a highlight for me.

- I have the negatives for this day. When it’s important (and even when it’s not, haha), I shoot film. In this case, a few rolls of expired Fuji 800 Press film.

- I took a lot of photos this day, but this one stands out to me because of the relaxed and casual nature of it. When I look at this photo I see a real person, not a political celebrity…not the soon-to-be leader of the free world…a real person. Politicians are so serious (wait until you see the photos I took of Senator John McCain), moments like this are what helps people like me really relate to a candidate. Some may say that Obama won the election because he won the people.

I look forward to sharing more of my 2008 campaign photos, with the upcoming presidential election excitement is building in the United States…I think it’s exciting to look back on 4 years ago!

Shot with a Nikon F5 and 200mm f/2.8 lens on Fuji Press 800 film.

© Andrew Pearson 2005-2012

www.aepearson.com
www.facebook.com/aepearsonphoto 

10:48am  |   URL: http://tmblr.co/ZJce4yHB3geZ
(Notes: 4)
  
Filed under: President Obama Barack Obama Roanoke Nikon F5 Nikon 200mm presidential campaign photos andrew pearson aepearson.com 
February 18, 2012
"To dare is to lose one’s footing momentarily. To not dare is to lose oneself."

— Soren Kierkegaard 

1:57pm  |   URL: http://tmblr.co/ZJce4yGd0Hqh
(Notes: 1)
  
Filed under: quotes photography 
February 18, 2012
It’s such a beautiful day today (spring is coming!), thought I’d share one of my favorites from last summer. Miles and “BoomPop” on the beach, making drip castles. I love the peace we all find near the water. Shot with a Mamiya 645 (super) and 80mm/2.8 lens on Kodak Portra 400 (220) © Andrew Pearson 2005-2012 www.aepearson.com www.facebook.com/aepearsonphoto  

It’s such a beautiful day today (spring is coming!), thought I’d share one of my favorites from last summer.

Miles and “BoomPop” on the beach, making drip castles.

I love the peace we all find near the water.

Shot with a Mamiya 645 (super) and 80mm/2.8 lens on Kodak Portra 400 (220)

© Andrew Pearson 2005-2012

www.aepearson.com

www.facebook.com/aepearsonphoto  

1:54pm  |   URL: http://tmblr.co/ZJce4yGc-akb
(Notes: 3)
  
Filed under: Oak Island oak island portrait photographers southport portrait photographers southport wedding photographer north carolina portrait beach mamiya 645 kodak portra 400 portrait portra 400 mamiya aepearson 
February 13, 2012
Picked up a Leica CL to use while the M4-P is off for repair. So far it seems like quite the bargain. Yes, it’s made by Minolta technically, but certainly has the feel of a Leica. Advance and shutter are silky smooth, and no plastic! I really like the front mounted shutter speed dial, shutter speed indicator in the viewfinder,the easy film loading, and the fact it’s SO SMALL. Seems, so far, like this would be a great camera for starting out with rangefinders.

Picked up a Leica CL to use while the M4-P is off for repair. So far it seems like quite the bargain.

Yes, it’s made by Minolta technically, but certainly has the feel of a Leica. Advance and shutter are silky smooth, and no plastic!

I really like the front mounted shutter speed dial, shutter speed indicator in the viewfinder,the easy film loading, and the fact it’s SO SMALL.

Seems, so far, like this would be a great camera for starting out with rangefinders.

1:40pm  |   URL: http://tmblr.co/ZJce4yGMeFai
(Notes: 10)
  
Filed under: leica leica cl rangefinder film photography 
February 7, 2012
I love shooting blues musicians. Ron is no exception. He’s been performing for more years than I have been alive (I’m 30) and has developed quite a unique style for the genre.  In fact, developing that style is a concept that is the cornerstone of Ron as a person. He’s an inspiring influence in that he encourages finding yourself - your style - your vision. Basing your craft on another artist is fruitless - when you find yourself, and only then, will you truly shine. I shot this photo while on set shooting a commercial for CatHead Vodka - what a great night. I really think his expression captures the Ron we all know and love. He’s one of the happiest guys I’ve ever met - and incredibly talented. Check him out at Music Maker here: http://www.musicmaker.org/artists_profile/Ron-Hunter Look for more coming soon, I have quite the stockpile of photographs from several different Blues musicians and look forward to sharing them with you all. Shot with a Nikon F100 and 50mm f/1.4 lens on Kodak Tri-X 400 film developed in Rodinal 1:50 © Andrew Pearson 2005-2011 www.aepearson.com www.facebook.com/aepearsonphoto  

I love shooting blues musicians.

Ron is no exception. He’s been performing for more years than I have been alive (I’m 30) and has developed quite a unique style for the genre. 

In fact, developing that style is a concept that is the cornerstone of Ron as a person. He’s an inspiring influence in that he encourages finding yourself - your style - your vision. Basing your craft on another artist is fruitless - when you find yourself, and only then, will you truly shine.

I shot this photo while on set shooting a commercial for CatHead Vodka - what a great night. I really think his expression captures the Ron we all know and love. He’s one of the happiest guys I’ve ever met - and incredibly talented.

Check him out at Music Maker here: http://www.musicmaker.org/artists_profile/Ron-Hunter

Look for more coming soon, I have quite the stockpile of photographs from several different Blues musicians and look forward to sharing them with you all.

Shot with a Nikon F100 and 50mm f/1.4 lens on Kodak Tri-X 400 film developed in Rodinal 1:50

© Andrew Pearson 2005-2011

www.aepearson.com

www.facebook.com/aepearsonphoto  

10:36am  |   URL: http://tmblr.co/ZJce4yG1u063
(Notes: 3)
  
Filed under: blues portrait tri-x aepearson Big Ron Hunter music maker black and white photography film photography film 
January 3, 2012
A new series from A.E. Pearson Photography - “Beautiful Bride” It’s tempting to blog a whole ton of images from a wedding. Look around, it’s really common these days amongst portrait and wedding photographers. But…I really like simplicity. To me, there is a lot to be said about breaking down a wedding or portrait session into the few images that really stand out. So, that’s what this “Beautiful Bride” thing is all about. What I’ll try to do is pick only a few images from every wedding and blog them as single images - maybe some pairs (you have probably noticed I’m a big fan of pairing images).  On to the image… This is Stephanie. Stephanie is someone very dear to me, an amazing woman with an amazing husband (Stephen) -  I love them both very much. When she asked me to photograph her wedding it was an instant “YES!”, her and her musician husband both have a strong eye for photography and I was really honored to have been asked. It was a beach wedding on Oak Island, in the middle of summer this year in North Carolina. Stephanie and her family have been vacationing at Oak Island since she was too young to remember. They always stayed in the same house…every year. There was no better place to have her wedding and reception. This photo is set in a small bedroom on the ground level of the house, this is where Stephanie dressed. This particular moment was one of my favorites. This is the moment of stillness when everything is done - down to the last tiny detail - and Stephanie walks out the door, down the beach, and into the arms of her husband. It’s that moment when what’s about to happen becomes real. And, that’s what I see in her smile, and her eyes. I like the simplicity of it. Her hair, her subtle makeup, her dress, the wine glass…it’s just right I think. Images like this really illustrate what shooting film, to me, is all about. It’s “real”, authentic. The color, the tonality, everything. There are no tricks, no Photoshop filters, actions, or effects…and she looks gorgeous. Because she IS.  It’s easy to get caught up in trends in photography, ESPECIALLY in the wedding and portrait world, so how about loading up an old film camera and just stepping back for a minute…slow yourself down. It’s freeing to let go of the LCD preview screen, memory cards, and instant feedback.  Shot with a Nikon F5 and 50mm f/1.4 lens on Kodak Portra 400 film developed at TheDarkroom. © Andrew Pearson 2005-2011 www.aepearson.comwww.facebook.com/aepearsonphoto 

A new series from A.E. Pearson Photography - “Beautiful Bride”

It’s tempting to blog a whole ton of images from a wedding. Look around, it’s really common these days amongst portrait and wedding photographers.

But…I really like simplicity. To me, there is a lot to be said about breaking down a wedding or portrait session into the few images that really stand out.

So, that’s what this “Beautiful Bride” thing is all about. What I’ll try to do is pick only a few images from every wedding and blog them as single images - maybe some pairs (you have probably noticed I’m a big fan of pairing images). 

On to the image…

This is Stephanie. Stephanie is someone very dear to me, an amazing woman with an amazing husband (Stephen) -  I love them both very much. When she asked me to photograph her wedding it was an instant “YES!”, her and her musician husband both have a strong eye for photography and I was really honored to have been asked.

It was a beach wedding on Oak Island, in the middle of summer this year in North Carolina.

Stephanie and her family have been vacationing at Oak Island since she was too young to remember. They always stayed in the same house…every year. There was no better place to have her wedding and reception.

This photo is set in a small bedroom on the ground level of the house, this is where Stephanie dressed. This particular moment was one of my favorites. This is the moment of stillness when everything is done - down to the last tiny detail - and Stephanie walks out the door, down the beach, and into the arms of her husband.

It’s that moment when what’s about to happen becomes real. And, that’s what I see in her smile, and her eyes.

I like the simplicity of it. Her hair, her subtle makeup, her dress, the wine glass…it’s just right I think.

Images like this really illustrate what shooting film, to me, is all about. It’s “real”, authentic. The color, the tonality, everything. There are no tricks, no Photoshop filters, actions, or effects…and she looks gorgeous. Because she IS. 

It’s easy to get caught up in trends in photography, ESPECIALLY in the wedding and portrait world, so how about loading up an old film camera and just stepping back for a minute…slow yourself down. It’s freeing to let go of the LCD preview screen, memory cards, and instant feedback. 

Shot with a Nikon F5 and 50mm f/1.4 lens on Kodak Portra 400 film developed at TheDarkroom.

© Andrew Pearson 2005-2011

www.aepearson.com
www.facebook.com/aepearsonphoto 

4:39pm  |   URL: http://tmblr.co/ZJce4yEDOQn3
(Notes: 2)
  
Filed under: beautiful bride wedding photographer greensboro wedding photographers film photography nikon f5 portrait portra 400 
January 1, 2012
My Nikon F3 fell victim to my 4 year old son. Landed right on the corner of the viewfinder! Think I’ll disassemble and see if I can bang it back out with some hammering. This thing is a tank, but has its weak points…good think replacements are cheap!

My Nikon F3 fell victim to my 4 year old son. Landed right on the corner of the viewfinder!

Think I’ll disassemble and see if I can bang it back out with some hammering.

This thing is a tank, but has its weak points…good think replacements are cheap!

2:42pm  |   URL: http://tmblr.co/ZJce4yE6DFIb
(Notes: 7)
  
Filed under: nikon nikon f3 nikon f3hp camdamage oops film photography film camera